Georges

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In this painting, the Woman is not a seductress but a sovereign presence of nature itself, a silent divinity before whom the knight does not bow in weakness, but in vocation.
His leaning toward Her is not defeat; it is an act of consecration.
The surrounding landscape is not mere setting, but a kind of sanctuary.
Flowers, branches, and the muted light suggest that love belongs to the vital cycle: a beauty that both nourishes and consumes.
The horse, emblem of strength and freedom, lingers behind, for the knight has already chosen a higher allegiance.
Here, devotion is instinctive rather than imposed: it arises as it does when a creature recognizes its own guiding star.
The Lady does not command, nor does she bind, she simply is, and that is enough to summon fidelity.
Would you like to be that higher allegiance?
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Althouh it might surprise some (!!!), I'm not native English speaker, please be patient.
Full male here.

Adventurer (ISFP-T)